International Library of African Music

• The music of Zumaile village, Zambia Parent project
• The musical dimension of perception in the upper Congo, Zae Parent project
• The musical scene in Uganda views from without and within Parent project
• The Mwera lamellophone Luliimba Parent project
• The ndongo bowl lyre of the Baganda: an examination of its sonic properties Parent project
• The need for research in African music Parent project
• THE NEW GROVE DICTIONARY OF MUSIC AND MUSICIANS edited by Stanley Sadie, Macmillan Publishers Ltd., London, 1981, 20 vols., 18 000 pp., 4 500 illustrations, 3 000 music examples, £850.00. Parent project
• The New Grove Dictionary of Musical Instruments. Edited by Stanley Sadie. London: Macmillan Press: New York: Grove's Dictionary of Music, 1984. [Vol.I, xxvi, 805p; Vol.II, xiii, 982p; Vol.HI, xiii, 921p] Parent project
• The nyanga panpipe dance Parent project
• The Nyanga/Ngororombe Panpipe Dance: 1.Thunga la ngororombe - the panpipe dance group of Sakha Bulaundi Parent project
• The Nyanga/Ngororombe Panpipe Dance: 2.Some dance steps for the Nyanga panpipe dance Parent project
• The origin of present day musical taste in Nigeria Parent project
• THE ORIGIN OF THE KEMANAK by JAAP KUNST. In Bijdragm tot de Taal-, Land- en Volkenkunde, Deel 116, 2e Afl (1960). pp. 263-9, 4 plates. Parent project
• The original African mbira? Parent project
• THE PAN-AFRICAN CULTURAL FESTIVAL - TWO VIEWS Parent project
• The phenomenon of inherent rhythms in East and Central African instrumental music Parent project
• The polyrhythmic foundation of Tswana pipe melody Parent project
• The relationship between lyrics and melody in Rimi vocal music Parent project
• The religious element in Mau Mau Parent project
• The role of the drummer in Akan society Parent project
• The Sercmknre and Music in Tlokweng, Botswana, by Jürgen Schöpf, Intercultural Music Studies 13, edited by Max Peter Baumann, Institute for Music Research, Julius- Maximilian University of Würzburg, Verlag für Wissenschaft und Bildung, Berlin 2008, 279 pp., 108 pp. of music transcriptions, 5 photographs and 13-track DVD, 978­3-86135-645-5. Parent project
• The Shantu music of the Harims of Nigeria Parent project
• The singer Anne-Marie Nzié and the song "liberté": on popular music and the postcolonial state in Cameroon Parent project
• The social mechanics of good music: a description of dance clubs among the Anlo Ewe-speaking people of Ghana Parent project
• The sociology of recording in Africa south of the Sahara Parent project

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