Crossing diaspora's borders: musical roots experiences and the Euro-American presence in Afro-Cuban religious music.
Abstract
- Abstract
- As a potentially more useful heuristic, I discuss what I call a musical "roots experience.” In doing so, I argue that recent Euro-American interest in Afro-Cuban music is a logical result of a search for a historicized cultural self, quite similar to that of African-Americans. In this way, the framework of a "roots experience” highlights experiential similarities across an ethnically diverse community of practitioners, whereas relying on the concept of the African Diaspora could possibly reinforce racial barriers.
Description
- Description
- pages: 101-109
Subjects
- Subject
- African Music
People & roles
- Author
-
Warden, Nolan
Value Annotations
Value Annotations
- Is Part Of
- Purdue University
Origins & context
- Title
- Crossing diaspora's borders: musical roots experiences and the Euro-American presence in Afro-Cuban religious music.
- Type
- Text
- Language
- English
- Parent project
- International Library of African Music
- is funded by
-
Rhodes University
- Place of Origin
- South Africa
- Created Date
- November 30, 2010
Rights & access
- License
- CC-BY-NC-SA-4.0
- Access Rights
- Public
Identifiers & sources
- DRE ID
- eaa-99-02f2
- Identifier
-
1869
Value Annotations
Value Annotations
- Type
- Publisher, distributor, or vendor stock number
Further details
- WissKI URL
- 80845