On the musical patterning of sculpted words: exploring the relationship between melody and metre in a Somali poetic form
Abstract
- Abstract
- Somalia has often been called a "nation of bards", and poetry is frequently considered to be the most important form of artistic expression and social commentary in Somali society, a point made clear by Andrzejewski and Lewis when they state that "the Somali poetic heritage is a living force intimately connected with the vicissitudes of everyday life" (1964:3). It is evident from existing literature that Somali poetry is a powerful force fulfilling a multiplicity of social roles; it is intrinsic to the fabric of social action itself, from the negotiation of inter-clan relationships to the accompaniment of camel watering, from commenting on issues of public policy to those of technological development. What is not so evident is that all Somali poems can also be carriers of melody. These melodic qualities of Somali poetry are first noted fleetingly in the travel writings of Richard Burton.
Description
- Description
- pages: 97-116
Subjects
- Subject
- African Music
People & roles
- Author
-
O'Dubhda, Fiacha
Value Annotations
Value Annotations
- Is Part Of
- SOAS University of London
Origins & context
- Title
- On the musical patterning of sculpted words: exploring the relationship between melody and metre in a Somali poetic form
- Type
- Text
- Language
- English
- Parent project
- International Library of African Music
- is funded by
-
Rhodes University
- Place of Origin
- South Africa
- Created Date
- November 30, 2009
Rights & access
- License
- CC-BY-NC-SA-4.0
- Access Rights
- Public
Identifiers & sources
- DRE ID
- eaa-99-02e1
- Identifier
-
1830
Value Annotations
Value Annotations
- Type
- Publisher, distributor, or vendor stock number
Further details
- WissKI URL
- 80711