Rhodes University
Media records
Origins & context
- Title
- Rhodes University
- Type
- Institution
- Is Part Of
- Africa Multiple Research Centres
Identifiers & sources
- Identifier
- Q377757
Further details
- latitude
- -33.31361
- longitude
- 26.51972
Linked resources
25
connections on this page
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The music of Tiv
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The music of Zumaile village, Zambia
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The musical dimension of perception in the upper Congo, Zae
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The musical scene in Uganda views from without and within
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The Mwera lamellophone Luliimba
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The ndongo bowl lyre of the Baganda: an examination of its sonic properties
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The need for research in African music
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THE NEW GROVE DICTIONARY OF MUSIC AND MUSICIANS edited by Stanley Sadie, Macmillan Publishers Ltd., London, 1981, 20 vols., 18 000 pp., 4 500 illustrations, 3 000 music examples, £850.00.
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The New Grove Dictionary of Musical Instruments. Edited by Stanley Sadie. London: Macmillan Press: New York: Grove's Dictionary of Music, 1984. [Vol.I, xxvi, 805p; Vol.II, xiii, 982p; Vol.HI, xiii, 921p]
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The nyanga panpipe dance
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The Nyanga/Ngororombe Panpipe Dance: 1.Thunga la ngororombe - the panpipe dance group of Sakha Bulaundi
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The Nyanga/Ngororombe Panpipe Dance: 2.Some dance steps for the Nyanga panpipe dance
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The origin of present day musical taste in Nigeria
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THE ORIGIN OF THE KEMANAK by JAAP KUNST. In Bijdragm tot de Taal-, Land- en Volkenkunde, Deel 116, 2e Afl (1960). pp. 263-9, 4 plates.
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The original African mbira?
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THE PAN-AFRICAN CULTURAL FESTIVAL - TWO VIEWS
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The phenomenon of inherent rhythms in East and Central African instrumental music
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The polyrhythmic foundation of Tswana pipe melody
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The relationship between lyrics and melody in Rimi vocal music
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The religious element in Mau Mau
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The role of the drummer in Akan society
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The Sercmknre and Music in Tlokweng, Botswana, by Jürgen Schöpf, Intercultural Music Studies 13, edited by Max Peter Baumann, Institute for Music Research, Julius- Maximilian University of Würzburg, Verlag für Wissenschaft und Bildung, Berlin 2008, 279 pp., 108 pp. of music transcriptions, 5 photographs and 13-track DVD, 9783-86135-645-5.
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The Shantu music of the Harims of Nigeria
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The singer Anne-Marie Nzié and the song "liberté": on popular music and the postcolonial state in Cameroon
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The social mechanics of good music: a description of dance clubs among the Anlo Ewe-speaking people of Ghana
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