CC-BY-NC-SA-4.0
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- CC-BY-NC-SA-4.0
- Alternative Title
- Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International
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- Q42553662
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CODIFICATION OF AFRICAN MUSIC AND TEXTBOOK PROJECT: A PRIMER OF PRACTICAL SUGGESTIONS FOR FIELD RESEARCH, by Hugh T. Tracey with Gerhard Kubik and Andrew T. N. Tracey (International Library of African Music, 1969). 54 pp.
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COLLEGE OF ART AND DESIGN
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Composing Apartheid: Music for and against Apartheid, Edited by Grant Olwage, Wits University Press: Johannesburg. 2008, 311 pages.
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- Conclusion: Invitation à l’enquête License
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Conferences: Grahamstown
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Conferences: Paris
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CONGO EN MUSIQUE by Bwantsa-Kafungu S. Pierre: Louvanium, 1965.(pp. 52).
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CONSTRUCTING DAGARA GYIL PEDAGOGY: THE LEGACY OF BERNARD WOMA
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Construção da segunda torre do Elevador Lacerda
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CONSULTATION ON AFRICAN CHURCH MUSIC
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Contents of Vol. I of African Music
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Contesting cultural meaning in a post-apartheid South African HIV/AIDS music event
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CONTESTING NORMS
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CONTINENTAL MUSICOLOGY: DECOLONISING THE MYTH OF A SINGULAR "AFRICAN MUSIC”
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Continuities and innovation in Luo song style: creating the Benga Beat in Kenya 1960 to 1995
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CONTRIBUTION A L'ETUDE DE LA MUSIQUE SACREE ZARMA SONGHAY by Bernard Surugue, Etudes Nigeriennes No. 30, Centre Nigerien de Recherches en Sciences Humaines, Niamey, Niger Republic, 1972, pp. 63, viii, plates, diagrams, maps
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