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Africa Multiple Interactive Research Atlas (AMIRA)

Africa Multiple Interactive Research Atlas (AMIRA)

ILAM

Origins & context

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ILAM

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The music of Zumaile village, Zambia
The music of Zumaile village, Zambia
pages: 96-102
The musical dimension of perception in the upper Congo, Zae
The musical dimension of perception in the upper Congo, Zae
pages: 46-51
The musical scene in Uganda views from without and within
The musical scene in Uganda views from without and within
pages: 6-21
The Mwera lamellophone Luliimba
The Mwera lamellophone Luliimba
pages: 6-20
The ndongo bowl lyre of the Baganda: an examination of its sonic properties
The ndongo bowl lyre of the Baganda: an examination of its sonic properties
pages: 22-28
The need for research in African music
The need for research in African music
pages: 20-24
THE NEW GROVE DICTIONARY OF MUSIC AND MUSICIANS edited by Stanley Sadie, Macmillan Publishers Ltd., London, 1981, 20 vols., 18 000 pp., 4 500 illustrations, 3 000 music examples, £850.00.
THE NEW GROVE DICTIONARY OF MUSIC AND MUSICIANS edited by Stanley Sadie, Macmillan Publishers Ltd., London, 1981, 20 vols., 18 000 pp., 4 500 illustrations, 3 000 music examples, £850.00.
pages: 115-117
The New Grove Dictionary of Musical Instruments. Edited by Stanley Sadie. London: Macmillan Press: New York: Grove's Dictionary of Music, 1984. [Vol.I, xxvi, 805p; Vol.II, xiii, 982p; Vol.HI, xiii, 921p]
The New Grove Dictionary of Musical Instruments. Edited by Stanley Sadie. London: Macmillan Press: New York: Grove's Dictionary of Music, 1984. [Vol.I, xxvi, 805p; Vol.II, xiii, 982p; Vol.HI, xiii, 921p]
pages: 111-117
The nyanga panpipe dance
The nyanga panpipe dance
pages: 73-89
The Nyanga/Ngororombe Panpipe Dance: 1.Thunga la ngororombe - the panpipe dance group of Sakha Bulaundi
The Nyanga/Ngororombe Panpipe Dance: 1.Thunga la ngororombe - the panpipe dance group of Sakha Bulaundi
pages: 85-107
The Nyanga/Ngororombe Panpipe Dance: 2.Some dance steps for the Nyanga panpipe dance
The Nyanga/Ngororombe Panpipe Dance: 2.Some dance steps for the Nyanga panpipe dance
pages: 108-118
The origin of present day musical taste in Nigeria
The origin of present day musical taste in Nigeria
pages: 18-22
THE ORIGIN OF THE KEMANAK by JAAP KUNST. In Bijdragm tot de Taal-, Land- en Volkenkunde, Deel 116, 2e Afl (1960). pp. 263-9, 4 plates.
THE ORIGIN OF THE KEMANAK by JAAP KUNST. In Bijdragm tot de Taal-, Land- en Volkenkunde, Deel 116, 2e Afl (1960). pp. 263-9, 4 plates.
pages: 78
The original African mbira?
The original African mbira?
pages: 85-104
THE PAN-AFRICAN CULTURAL FESTIVAL - TWO VIEWS
THE PAN-AFRICAN CULTURAL FESTIVAL - TWO VIEWS
pages: 134-137
The phenomenon of inherent rhythms in East and Central African instrumental music
The phenomenon of inherent rhythms in East and Central African instrumental music
pages: 33-42
The polyrhythmic foundation of Tswana pipe melody
The polyrhythmic foundation of Tswana pipe melody
pages: 52-67
The relationship between lyrics and melody in Rimi vocal music
The relationship between lyrics and melody in Rimi vocal music
pages: 126-128
The religious element in Mau Mau
The religious element in Mau Mau
pages: 78-79
The role of the drummer in Akan society
The role of the drummer in Akan society
pages: 34-43
The Sercmknre and Music in Tlokweng, Botswana, by Jürgen Schöpf, Intercultural Music Studies 13, edited by Max Peter Baumann, Institute for Music Research, Julius- Maximilian University of Würzburg, Verlag für Wissenschaft und Bildung, Berlin 2008, 279 pp., 108 pp. of music transcriptions, 5 photographs and 13-track DVD, 978­3-86135-645-5.
The Sercmknre and Music in Tlokweng, Botswana, by Jürgen Schöpf, Intercultural Music Studies 13, edited by Max Peter Baumann, Institute for Music Research, Julius- Maximilian University of Würzburg, Verlag für Wissenschaft und Bildung, Berlin 2008, 279 pp., 108 pp. of music transcriptions, 5 photographs and 13-track DVD, 978­3-86135-645-5.
pages: 162-163
The Shantu music of the Harims of Nigeria
The Shantu music of the Harims of Nigeria
pages: 56-57
The singer Anne-Marie Nzié and the song "liberté": on popular music and the postcolonial state in Cameroon
The singer Anne-Marie Nzié and the song "liberté": on popular music and the postcolonial state in Cameroon
pages: [40]-58
The social mechanics of good music: a description of dance clubs among the Anlo Ewe-speaking people of Ghana
The social mechanics of good music: a description of dance clubs among the Anlo Ewe-speaking people of Ghana
pages: 6-22
The sociology of recording in Africa south of the Sahara
The sociology of recording in Africa south of the Sahara
pages: 77-80

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